The performance by the Helena Modrzejewska National Stary Theatre in Krakow
Opening Night:
 12 May 2017
Author: Stanisław Wyspiański
Original Title: Wesele 
Title: The Wedding
Director: Jan Klata

Performances at the National Theatre on September 20 and 21, 2025

Auditorium: Boguslawski Hall
Running time: 3 hours 10 min inculding two intervals


Ticket prices:

full-price tickets:
zone I: 180 PLN
zone II: 120 PLN
zone III: 90 PLN

concession tickets:
zone I: 170 PLN
zone II: 110 PLN
zone III: 80 PLN

rush ticket:
60 PLN  more info

students of state theatre and art schools: 
15 PLN more info

Please mind that vouchers cannot be exchanged for tickets to the performance The Wedding.
 

The Wedding

The Wedding by Stanisław Wyspiański directed by Jan Klata from The Helena Modrzejewska National Stary Theatre in Krakow will be presented at the National Theatre on September 20 and 21, 2025.

A hysterical bout of laughter from Czepiec and the Journalist follows the famous words “What news in politics, good sir?”, just before a wall of noise from the black metal group Furia blasts out, striking up the dance for the wedding-guests – this is the dynamic beginning of The Wedding AD 2017 in Jan Klata’s rendition.

Instead of the picturesque Bronowice hut, we have a land in perpetual reconstruction, but the director does not exert himself to update the drama: the scaffolding designed by Justyna Łagowska wrapped in black plastic, the tree stump, and the empty chapel create a disquieting backdrop where two separate worlds can meet. The two sides – the blasé city-dwellers devoid of verve and charisma and the bawdy “folk” full of vivacity and blindly seeking a vent for their emotions – only unite in moments of trance-like dance. Around the stage, on four monumental pedestals stand musicians with black-and-white faces (contemporary Straw-men). The action plays itself out in time to their music, “half mocking, half serious,” but in the ecstatic moments the choreographic arrangements by Maćko Prusak bring the temperature to a boil. A moment later the protagonists sink into another marasmus, “only fiddling with their dreams,” eternally awaiting a sign.

This is a “Wedding” without the concluding straw-man dance, because the dance continues throughout it. It is a remarkable show of strength of the multi-generational acting ensemble of the National Stary Theatre, and it ideally suits the mission of the national stage. It approaches the literary classic with respect, and the phenomenal actors allow every word of Wyspiański’s text to ring true.

Jacek Wakar, Magazyn O! Kultura

 

The performance is not recommended for viewers under 16.

Please mind: this production contains loud black metal music, flashing lights, smoke effects, dynamic choreography, nudity, religious and political topics. 


director, stage adaptation Jan Klata
set design, costumes, lights director Justyna Łagowska
choreography Maćko Prusak
music: Furia
set designer assistant Piotr Halter
sound producer Łukasz Kamiński, Adam Gajewski
director's assistants Paweł Sablik, Andrzej Błażewicz

Cast

Radczyni Anna Dymna
Bride Karolina Staniec
Black Knight Małgorzata Gorol (guest actor)
Haneczka Ewa Kaim
Rachel Katarzyna Krzanowska
Host’s Wife Beata Paluch
Maryna Jaśmina Polak (guest actor)
Zosia Anna Radwan
Priest Bartosz Bielenia (guest actor)
Kacper Maciej Charyton
Host Juliusz Chrząstowski
Jasiek Krystian Durman
Journalist Roman Gancarczyk
Kuba Grzegorz Grabowski
Jew Jacek Romanowski
Poet Zbigniew W. Kaleta
Hetman Zbigniew Kosowski
Groom Radosław Krzyżowski
Granddad / Spectre Ryszard Łukowski
Vernyhora Paweł Kruszelnicki
Czepiec Krzysztof Zawadzki
Stanczyk Jan Peszek (will perform in the performances on September 20th), Edward Linde-Lubaszenko (will perform in the performance on September 21th)
Klimina Elżbieta Karkoszka
Jasiek Andrzej Kozak
Straw-man Michał Kuźniak
Kosynierzy Mikołaj GłowackiJanusz JareckiRyszard OgiegłoBogusław PierógGrzegorz SterlińskiKrzysztof Sterliński

live music Furia

 

Gallery

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  • HAMLET

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  • HEAVEN AND HELL

    Although Maria Wojtyszko's play touches upon the painful subject of losing loved ones, Jakub Krofta's deft staging provides light entertainment for the whole family. 

  • OTHER DELIGHTS

    This adaptation of the novel Other Delights is the second staging of one of Jerzy Pilch's works at the National Theatre, following The Holy Father's Skis.  

  • FAUST

    Faust is a story based on an ancient legend of a scholar who yearns so much for just a moment of happiness that he makes a pact with the devil. 

  • A DREAM PLAY

    After the well-received Alice's Adventures in Wonderland, Sławomir Narloch returned to the National Theatre with another premiere – A Dream Play by Strindberg.

     

  • KING LEAR

    King Lear may be Shakespeare's boldest examination of human nature. Jan Englert will play the title role in the National Theatre's production.

  • WAITING FOR GODOT

    "What do we do now? Wait. [...] We're waiting for Godot". Piotr Cieplak directs Waiting for Godot by Beckett. Is this a classic yet? Does it still have its avant-garde power?

  • FREDRO: THE JUBILEE YEAR

    To celebrate 230 years since Aleksander Fredro's birth, the National Theatre invites you to an evening dedicated to the life and works of Poland’s greatest comedy writer. 

  • TALES FROM THE VIENNA WOODS

    Małgorzata Bogajewska directs for the second time at the National Theatre. This time she draws on Ödön von Horváth's 1931 drama.

  • THE THEATRE MAKER

    The play by Thomas Bernhard, one of the most outstanding playwrights of the second half of the 20th century. In the title role – Jerzy Radziwiłowicz. 

  • ALICE'S WONDERLAND

    Have you ever quarreled with the Time or visited a forest where things have no names? Alice’s Wonderland is a musical performance based on the famous novel by Lewis Carroll. 

  • THE MISANTHROPE

    Jan Englert stages a classic play by Molière. What is Alcest's misanthropy: an uncompromising commitment to the truth or a doomed uprising against social conventions?

  • THE DECALOGUE

    A meditation upon the moral foundations of the present – an iconic work of Polish cinema, rethought thirty-five years after its creation by Krzysztof Kieślowski and Krzysztof Piesiewicz. 

  • MARY STUART

    Grzegorz Wiśniewski returns to the classic drama about human passions interwoven in a ruthless machinery of history and intrigue.

  • MÜNCHHAUSEN FOR ADULTS

    Baron von Münchhausen lived in the 18th century and told incredible stories about himself. Maciej Wojtyszko directs his own play about the famous adventurer and mystifier.

  • Solidarity with Ukraine | Солідарні з Україною

    The ensemble of the National Theatre stands in solidarity with the Ukrainians who are fighting for the independence of their homeland.

  • PICNIC AT HANGING ROCK

    1900. On a hot, stormy day, Mrs Appleyard's boarding school residents go on a picnic near Hanging Rock. The new theatrical version of the Australian prose classics. 

  • SNAKE SKIN

    Artur Urbański directs his own play which main character is Ruth Berlau, one of Bertolt Brecht's closest associates and life companions.

  • AUTUMN SONATA

    A story about the need for love and acceptance, about an inherited emotional coldness, about the psychological costs of creativity. A theatrical version of a film script by Ingmar Bergman. 

  • MOTHER JOAN OF THE ANGELS

    A performance about the need to experience something that surpasses us. In the title role of the prioress – Małgorzata Kożuchowska. 

  • HEDDA GABLER

    Hedda Gabler – work by Henrik Ibsen, a master of psychological realism – in stage interpretation of director Kuba Kowalski is a poetic performance.


  • HOW TO BE LOVED

    This is the performance about love and moral responsibility for another person as well as the mechanisms controlling human memory. The dramatisation of the story by Kazimierz Brandys.


  • LUNGS

    Briliant, full of humour and touching love story of a young couple. Breakups and comebacks, passion and sex, the first important decisions and the search for meaning in a complex, modern world.


  • UHLANS

    The Museum of All-Time Polish Uhlans. Exhibits of the national exacerbation. A serious comedy in three acts about the entanglement in myths of Polishness. 


  • THE IMAGE MAKERS

    The truth about the essence of creation and responsibility in art. Director Viktor Sjöström is working on the film The Phantom Carriage, based on the novel by Nobel Prize winner Selma Lagerlöf. 

  • FOREFATHER'S EVE

    Mickiewicz's poetic drama interpreted by Lithuanian Master Eimuntas Nekrošius — theatre visionary known for his unique theatrical language.


  • KORDIAN

    The Polish nation's tragic choice: to die heroically in the name of a noble idea or live a life "making shoes for dogs"? — the alternative presented to Kordian in two parables.

  • FLEA THE SWINDLER

    Tremendous fun and great laughs – not just for kids. The antics of the Flea are directed by Anna Seniuk with the music composed by Maciej Małecki.


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